Marathi actors
The actor is best known for playing the character of Pappu in the 2007 Hindi melodrama Om Shanti Om Click to look into! >> Read More… by Farah Khan Farah Khan is an Indian film actress, producer, di >> Read More https://marathikhabri.com/… , which also starred Shahrukh Khan in the lead role. Before starting his acting career in films, Shreyas appeared in many Marathi TV serials like Damini, which was very famous among Marathi viewers. Shreyas received fame nationwide when he played the lead role in the 2005 sports drama film Iqbal, directed by Nagesh Kukunoor Nagesh Kukunoor was born in Hyderabad to Kusuma Su >> Read More… . The actor also dubbed the voice of Allu Arjun The actor was born to producer Allu Arvind and Nir >> Read More… in the Hindi version of the 2021 Telugu action film Pushpa: The Rise.
Marathi cinema has produced some of the most critically acclaimed and commercially successful films in Indian cinema. Notable Marathi films include “Shwaas” (2004), “Harishchandrachi Factory” (2009), “Sairat” (2016), and “Court” (2014).
A talented actress, Amruta Khanvilkar has showcased her versatility through a diverse array of roles. Her performances in films like Katyar Kaljat Ghusali and Raazi (Hindi-Maharashtrian film) have earned her acclaim.
Known as the First Superstar of Marathi cinema, Dr Kashinath Ghanekar was a remarkable actor and playwright. His portrayal of legendary Marathi theatre personalities like Purushottam and Sakharam Binder is etched in the annals of Marathi theatre history. His contribution to Marathi cinema and theatre is celebrated to this day.

Leading actors in Marathi films
The vibrant world of Marathi cinema and theater has produced a plethora of talented actors, who have not only made their mark within regional boundaries but have also earned recognition and accolades on the national stage. Marathi actors are known for their dedication, versatility, and the ability to bring life to their characters with finesse. This article delves into the rich tapestry of Marathi actors and celebrates their contributions to the art of storytelling.
Marathi actors have played a crucial role in enriching the cultural landscape of India, leaving an enduring impact on cinema and theater. Their dedication, versatility, and passion for storytelling have earned them a rightful place in the hearts of audiences and the annals of Indian entertainment history. As the legacy continues, the world eagerly awaits more exemplary performances from the talented Marathi actors, who continue to be the torchbearers of artistic excellence.
The Marathi film industry is based in Mumbai, Maharashtra, and is known for its strong focus on social realism, experimental filmmaking, and art house cinema. Marathi films often explore themes of social injustice, poverty, and the human condition.
Nimrat Kaur is back with a powerful role in Kull: The Legacy of the Raisinghs, a family drama that dives deep into generational wounds and societal facades. The actor, known for her intensity and grace, brings a haunting vulnerability to her character Indrani. In an exclusive chat with LIPIKA VARMA, Nimrat discusses the showтАЩs themes, her artistic journey, and the emotional tribute she recently paid to her father. On the title, тАЬKullтАЭ- Yes, absolutely, kull is an interesting word, right? Kul-dosh, kul-ko-aage-badhane-wala. It symbolizes lineage, burdens, responsibilities. I really liked the title when Ekta chose it. I hoped it would stay. For me, Kull represents generational trauma and the weight we carry forward. On Indrani, her character-I feel incredibly grateful that people have embraced Indrani Rai SinghтАЩs part and they have been able to relate to her circumstances, not necessarily her as a person, which I think was my intention in any case in the first place. Behind the sarees, the pearls, the carefully curated perfection, thereтАЩs a broken woman barely holding it together. By the end, she becomes so lost in her own delusions, she canтАЩt even tell whatтАЩs real anymore. On doing justice to all the charactersтАУMeryl Streep once said, you donтАЩt become someone else entirelyтАФyou bring bits of yourself into every role. And thatтАЩs so true. I live on my own, I make my own decisions, I have a certain kind of independence in how I think and move through the world. That probably seeps into the women I play. Every character has a journey, a heartbeatтАФI always try to tap into that. Working with Ekta Kapoor- Ekta gave me my first web series, тАЬThe Test Case,тАЭ before OTT platforms even existed. That was a bold move. She gave me a platform when the space was still
Step into Marathi cinema and its talented actors who have graced the silver screen with their remarkable performances. Marathi actors have a unique ability to breathe life into diverse characters, creating a captivating cinematic experience for audiences. These actors have left an indelible mark on entertainment, from classic tales to modern narratives. Here, you can find the most popular Marathi actor names who have successfully aced the Marathi film industry and won millions of hearts with their performances.
Marathi actors in Bollywood
рдЕрд╢реЛрдХ рд╕рд░рд╛рдл – рдиреБрдХрддреАрдЪ рд╡рдпрд╛рдЪреА 75 рд╡рд░реНрд╖ рдкреВрд░реНрдг рдХрд░рдгрд╛рд▒реНрдпрд╛ рдЕрд╢реЛрдХ рд╕рд░рд╛рдл рдпрд╛рдВрдиреА рд╣рд┐рдВрджреА рдЪрд┐рддреНрд░рдкрдЯрд╕реГрд╖реНрдЯреА рдЧрд╛рдЬрд╡рд▓реА рдЕрд╕рдВ рдореНрд╣рдгрдгрдВ рд╡рд╛рд╡рдЧрдВ рдард░рдгрд╛рд░ рдирд╛рд╣реА. рдХрд░рдг рдЕрд░реНрдЬреБрди рдордзрд▓реЗ рдореБрдиреНрд╢реАрдЬреА, рд╕рд┐рдВрдШрдо рдордзрд▓реЗ рд╣рд╡рд╛рд▓рджрд╛рд░, рдХреЛрдпрд▓рд╛, рдпреЗрд╕ рдмреЙрд╕ рдЕрд╢рд╛ рдЪрд┐рддреНрд░рдкрдЯрд╛рддреВрди рдЕрдиреЗрдХ рдЫреЛрдЯреНрдпрд╛ рдореЛрдареНрдпрд╛ рднреВрдорд┐рдХрд╛рдВрдордзреВрди рдЕрд╢реЛрдХ рд╕рд░рд╛рдл рдпрд╛рдВрдиреА рдЖрдкрд▓реНрдпрд╛ рдЕрднрд┐рдирдпрд╛рдЪреА рдЫрд╛рдк рдкрд╛рдбрд▓реА.
рдореА рд╢рд┐рд╡рд╛рдЬреАрд░рд╛рдЬреЗ рднреЛрд╕рд▓реЗ рдмреЛрд▓рддреЛрдп рдпрд╛ рдЪрд┐рддреНрд░рдкрдЯрд╛рддреАрд▓ рджрд┐рдирдХрд░ рднреЛрд╕рд▓реЗ рд╣рд╛ рдорд░рд╛рдареА рдорд╛рдгрд╕рд╛рд▓рд╛ рдирд╡реА рдЙрдореЗрдж рджреЗрдКрди рдЧреЗрд▓рд╛. рдПрдХ рд╡реЗрдЧрд│реА рд╕рдВрдХрд▓реНрдкрдирд╛ рдЖрдгрд┐ рд╢реИрд▓реА рдЕрд╕рд▓реЗрд▓реНрдпрд╛ рдпрд╛ рд╕рд┐рдиреЗрдорд╛рдЪреНрдпрд╛ рдорд╛рдзреНрдпрдорд╛рдиреЗ рд╕рдЪрд┐рди рдЦреЗрдбреЗрдХрд░ рд╣реЗ рдШрд░рд╛рдШрд░рд╛рдд рдкреЛрд╣рдЪрд▓реЗ. рддреНрдпрд╛рдВрдиреА рдорд░рд╛рдареАрд╕рд╣ рд╣рд┐рдВрджреА, рдЧреБрдЬрд░рд╛рддреА, рддреЗрд▓реБрдЧреБ, рдорд▓реНрдпрд╛рд│рдо, рддрдорд┐рд│ рдЕрд╢рд╛ рднрд╛рд╖рд╛рдВрдордзреНрдпреЗ рдХрд╛рдо рдХреЗрд▓реЗрд▓реЗ рдЖрд╣реЗ. рддреНрдпрд╛рдВрдиреА рдХреЗрд▓реЗрд▓реА рдиреЗрддрд╛рдЬреА рд╕реБрднрд╛рд╖рдЪрдВрджреНрд░ рдмреЛрд╕ рднреВрдорд┐рдХрд╛ рдкреНрд░реЗрдХреНрд╖рдХрд╛рдВрдирд╛ рдЦреВрдк рдЖрд╡рдбрд▓реА. рд╕рдЪрд┐рдирдЬреАрдВрдиреА рддреЗрд░реЗ рдирд╛рдо, рд░реБрд╕реНрддрдо, рдЧреБрд░реБ, 13 B, рд╕рд┐рдВрдШрдо, рдЕрдЧреНрдирд┐рдкрде, рдЬреБрдбрд╡рд╛ 2, рдлреЛрдЯреЛрдЧреНрд░рд╛рдл рдпрд╛ рд╕рд╛рд░рдЦреНрдпрд╛ рдмрд░реН рдпрд╛рдЪ рд╕рд┐рдиреЗрдорд╛рдВрдордзреНрдпреЗ рдЕрднрд┐рдирдп рдХреЗрд▓реЗрд▓рд╛ рдЖрд╣реЗ. рдЕрд╕реНрддрд┐рддреНрд╡, рдХрд╛рдХрд╕реНрдкрд░реНрд╢, рдмрд╛рдкрдЬрдиреНрдо, рдХрдЪреНрдЪрд╛ рд▓рд┐рдВрдмреВ рд╣реЗ рддреНрдпрд╛рдВрдЪреЗ рдЧрд╛рдЬрд▓реЗрд▓реЗ рдорд░рд╛рдареА рдЪрд┐рддреНрд░рдкрдЯ рдЖрд╣реЗрдд. рд╕рдзреНрдпрд╛ рддреЗ рдХреЛрдг рд╣реЛрдгрд╛рд░ рдорд░рд╛рдареА рдХрд░реЛрдбрдкрддреА рдпрд╛ рдХрд╛рд░реНрдпрдХреНрд░рдорд╛рдордзреНрдпреЗ рд╡реНрдпрд╕реНрдд рдЖрд╣реЗрдд.
рджреЗрдКрд│, рдирдЯрд╕рдореНрд░рд╛рдЯ, рдбрд╛реЕ. рдкреНрд░рдХрд╛рд╢ рдмрд╛рдмрд╛ рдЖрдордЯреЗ рдЕрд╢рд╛ рджрд░реНрдЬреЗрджрд╛рд░ рдорд░рд╛рдареА рд╕рд┐рдиреЗрдорд╛рдВрдордзреНрдпреЗ рдирд╛рдирд╛рдВрдиреА рдЕрдкреНрд░рддрд┐рдо рдЕрднрд┐рдирдпрд╛рдиреЗ рдкреНрд░реЗрдХреНрд╖рдХрд╛рдВрдЪреА рдордиреЗ рдЬрд┐рдВрдХрд▓реА рдЖрд╣реЗрдд. рддреНрдпрд╛рдВрдиреА рд░рдЬрдиреАрдХрд╛рдВрдд рдпрд╛рдВрдЪреНрдпрд╛ рд╡рд┐рд░реБрджреНрдз рдЕрд╕рд▓реЗрд▓реЗ рдирд┐рдЧреЗрдЯрд┐рд╡реНрд╣ рдкрд╛рддреНрд░ рдХрд╛рд▓рд╛ рд╕рд┐рдиреЗрдорд╛рдордзреНрдпреЗ рд╕рд╛рдХрд╛рд░рд▓реЗ рд╣реЛрддреЗ. рдирд╛рдирд╛ рдпрд╛рдВрдирд╛ 1990 рд╕рд╛рд▓реА рдкрд░рд┐рдВрджрд╛ рд╕рд┐рдиреЗрдорд╛рд╕рд╛рдареА рдлрд┐рд▓реНрдордлреЗрдЕрд░ рдЕрд╡реЙрд░реНрдб рдлрд╛реЕрд░ рдмреЗрд╕реНрдЯ рд╕рдкреЛрд░реНрдЯрд┐рдВрдЧ рдЕ реЕрдХреНрдЯрд░ рдЖрдгрд┐ рдиреЕрд╢рдирд▓ рдЕрд╡реЙрд░реНрдб рдлрд╛реЕрд░ рдмреЗрд╕реНрдЯ рд╕рдкреЛрд░реНрдЯрд┐рдВрдЧ рдЕ реЕрдХреНрдЯрд░, 1995 рд╕рд╛рд▓реА рдХреНрд░рд╛рдВрддрд┐рд╡реАрд░ рд╕рд┐рдиреЗрдорд╛рд╕рд╛рдареА рдлрд┐рд▓реНрдордлреЗрдЕрд░ рдЕрд╡реЙрд░реНрдб рдлрд╛реЕрд░ рдмреЗрд╕реНрдЯ рдЕ реЕрдХреНрдЯрд░ рдЖрдгрд┐ рдиреЕрд╢рдирд▓ рдЕрд╡реЙрд░реНрдб рдлрд╛реЕрд░ рдмреЗрд╕реНрдЯ рдЕ реЕрдХреНрдЯрд░, 1997 рд╕рд╛рд▓реА рдЕрдЧреНрдиреА рд╕рд╛рдХреНрд╖реА рд╕рд┐рдиреЗрдорд╛рдХрд░рд┐рддрд╛ рдиреЕрд╢рдирд▓ рдЕрд╡реЙрд░реНрдб рдлрд╛реЕрд░ рдмреЗрд╕реНрдЯ рд╕рдкреЛрд░реНрдЯрд┐рдВрдЧ рдЕ реЕрдХреНрдЯрд░ рдЖрдгрд┐ 2006 рд╕рд╛рд▓реА рдЕрдкрд╣рд░рдг рд╕рд┐рдиреЗрдорд╛рд╕рд╛рдареА рдлрд┐рд▓реНрдордлреЗрдЕрд░ рдЕрд╡реЙрд░реНрдб рдлрд╛реЕрд░ рдмреЗрд╕реНрдЯ рд╡реНрд╣рд┐рд▓рди рдЕрд╕реЗ рдорд╛рдирд╛рдВрдХрд┐рдд рдкреБрд░рд╕реНрдХрд╛рд░ рдкреНрд░рд╛рдкреНрдд рдЭрд╛рд▓реЗ рдЖрд╣реЗрдд.
Amruta Khanvilkar is a talented Marathi actress who has acted in several Hindi films, including Raazi Click to look into! >> Read More… , Satyameva Jayate Click to look into! >> Read More… , and Malang. Marathi and Hindi actress Amruta Khanvilkar is from India. Mumbai, Maharashtra, India, was her birthplace. ” Golmaal Golmaal is a Telugu comedy television series. The >> Read More… ,” “Saade Maade Teen,” ” Phoonk Click to look into! >> Read More… ,” ” Himmatwala Click to look into! >> Read More… ,” and “Raazi” were among Amruta Khanvilkar’s first flicks. “24,” “Jhalak Dikhhla Jaa,” and “Dance India Dance” are among her television credits. “Katyar Kaljat Ghusali” and “Raazi” earned Amruta Khanvilkar the Maharashtra State Film Award and Filmfare Award for Best Supporting Actress, respectively. She hosts various Marathi and Hindi television series and award ceremonies. Amruta Khanvilkar supports education, health, and women empowerment in addition to her entertainment career.

рдЕрд╢реЛрдХ рд╕рд░рд╛рдл – рдиреБрдХрддреАрдЪ рд╡рдпрд╛рдЪреА 75 рд╡рд░реНрд╖ рдкреВрд░реНрдг рдХрд░рдгрд╛рд▒реНрдпрд╛ рдЕрд╢реЛрдХ рд╕рд░рд╛рдл рдпрд╛рдВрдиреА рд╣рд┐рдВрджреА рдЪрд┐рддреНрд░рдкрдЯрд╕реГрд╖реНрдЯреА рдЧрд╛рдЬрд╡рд▓реА рдЕрд╕рдВ рдореНрд╣рдгрдгрдВ рд╡рд╛рд╡рдЧрдВ рдард░рдгрд╛рд░ рдирд╛рд╣реА. рдХрд░рдг рдЕрд░реНрдЬреБрди рдордзрд▓реЗ рдореБрдиреНрд╢реАрдЬреА, рд╕рд┐рдВрдШрдо рдордзрд▓реЗ рд╣рд╡рд╛рд▓рджрд╛рд░, рдХреЛрдпрд▓рд╛, рдпреЗрд╕ рдмреЙрд╕ рдЕрд╢рд╛ рдЪрд┐рддреНрд░рдкрдЯрд╛рддреВрди рдЕрдиреЗрдХ рдЫреЛрдЯреНрдпрд╛ рдореЛрдареНрдпрд╛ рднреВрдорд┐рдХрд╛рдВрдордзреВрди рдЕрд╢реЛрдХ рд╕рд░рд╛рдл рдпрд╛рдВрдиреА рдЖрдкрд▓реНрдпрд╛ рдЕрднрд┐рдирдпрд╛рдЪреА рдЫрд╛рдк рдкрд╛рдбрд▓реА.
рдореА рд╢рд┐рд╡рд╛рдЬреАрд░рд╛рдЬреЗ рднреЛрд╕рд▓реЗ рдмреЛрд▓рддреЛрдп рдпрд╛ рдЪрд┐рддреНрд░рдкрдЯрд╛рддреАрд▓ рджрд┐рдирдХрд░ рднреЛрд╕рд▓реЗ рд╣рд╛ рдорд░рд╛рдареА рдорд╛рдгрд╕рд╛рд▓рд╛ рдирд╡реА рдЙрдореЗрдж рджреЗрдКрди рдЧреЗрд▓рд╛. рдПрдХ рд╡реЗрдЧрд│реА рд╕рдВрдХрд▓реНрдкрдирд╛ рдЖрдгрд┐ рд╢реИрд▓реА рдЕрд╕рд▓реЗрд▓реНрдпрд╛ рдпрд╛ рд╕рд┐рдиреЗрдорд╛рдЪреНрдпрд╛ рдорд╛рдзреНрдпрдорд╛рдиреЗ рд╕рдЪрд┐рди рдЦреЗрдбреЗрдХрд░ рд╣реЗ рдШрд░рд╛рдШрд░рд╛рдд рдкреЛрд╣рдЪрд▓реЗ. рддреНрдпрд╛рдВрдиреА рдорд░рд╛рдареАрд╕рд╣ рд╣рд┐рдВрджреА, рдЧреБрдЬрд░рд╛рддреА, рддреЗрд▓реБрдЧреБ, рдорд▓реНрдпрд╛рд│рдо, рддрдорд┐рд│ рдЕрд╢рд╛ рднрд╛рд╖рд╛рдВрдордзреНрдпреЗ рдХрд╛рдо рдХреЗрд▓реЗрд▓реЗ рдЖрд╣реЗ. рддреНрдпрд╛рдВрдиреА рдХреЗрд▓реЗрд▓реА рдиреЗрддрд╛рдЬреА рд╕реБрднрд╛рд╖рдЪрдВрджреНрд░ рдмреЛрд╕ рднреВрдорд┐рдХрд╛ рдкреНрд░реЗрдХреНрд╖рдХрд╛рдВрдирд╛ рдЦреВрдк рдЖрд╡рдбрд▓реА. рд╕рдЪрд┐рдирдЬреАрдВрдиреА рддреЗрд░реЗ рдирд╛рдо, рд░реБрд╕реНрддрдо, рдЧреБрд░реБ, 13 B, рд╕рд┐рдВрдШрдо, рдЕрдЧреНрдирд┐рдкрде, рдЬреБрдбрд╡рд╛ 2, рдлреЛрдЯреЛрдЧреНрд░рд╛рдл рдпрд╛ рд╕рд╛рд░рдЦреНрдпрд╛ рдмрд░реН рдпрд╛рдЪ рд╕рд┐рдиреЗрдорд╛рдВрдордзреНрдпреЗ рдЕрднрд┐рдирдп рдХреЗрд▓реЗрд▓рд╛ рдЖрд╣реЗ. рдЕрд╕реНрддрд┐рддреНрд╡, рдХрд╛рдХрд╕реНрдкрд░реНрд╢, рдмрд╛рдкрдЬрдиреНрдо, рдХрдЪреНрдЪрд╛ рд▓рд┐рдВрдмреВ рд╣реЗ рддреНрдпрд╛рдВрдЪреЗ рдЧрд╛рдЬрд▓реЗрд▓реЗ рдорд░рд╛рдареА рдЪрд┐рддреНрд░рдкрдЯ рдЖрд╣реЗрдд. рд╕рдзреНрдпрд╛ рддреЗ рдХреЛрдг рд╣реЛрдгрд╛рд░ рдорд░рд╛рдареА рдХрд░реЛрдбрдкрддреА рдпрд╛ рдХрд╛рд░реНрдпрдХреНрд░рдорд╛рдордзреНрдпреЗ рд╡реНрдпрд╕реНрдд рдЖрд╣реЗрдд.
Marathi actors list
These actors, among many others, have contributed significantly to Marathi cinema with their exceptional acting skills, distinctive styles, and commitment to their craft. Each of them has played a vital role in shaping the vibrant landscape of Marathi cinema, enriching it with their performances and leaving a lasting impact on audiences.
Subodh Bhave has made a strong impression with his performances in Marathi cinema. His portrayal of iconic personalities like Dr Raghunath Mashelkar in Ani… Dr Kashinath Ghanekar and Dadasaheb Phalke in Ekk Albela showcase his dedication to portraying historical figures authentically.
An accomplished actress and filmmaker, Mrinal Kulkarni has made her mark in Marathi cinema. Her performances in movies like Rama Madhav and Prem Mhanje Prem Mhanje Prem Asta reflect her dedication to portraying relatable and authentic characters.
While she is renowned in Hindi cinema, Madhuri Dixit’s contribution to Marathi cinema is significant. Her Marathi debut in Bucket List showcased her ability to engage audiences with her charm and acting prowess.
Marathi cinema, also known as the Marathi film industry, is a regional film industry of India dedicated to the production of motion pictures in the Marathi language. It is the oldest film industry in India, with the first Marathi film being released in 1912.





